I've watched more than twenty horror movies in the last 14 days. My teeth are soaring and real, covered in cavities from the handfuls of sugar corn i've been shoveling in orally. And the pavement where i live is festooned with carved lanterns and piles of fallen leaves, giving it a startlingly sinister resemblance to the fictional small town of haddonfield, ill. They 3-and observations can only indicate one thing: halloween is close. Yes, this is your joy, which due to the circumstances seems even more and more amazing in the last few years, despite the fact that the partner grew out of the r' treating trick actually two decades ago. And although i love dressing up and decorating halloween to the highest degree, and i'm quite partial to candy, my favorite component of this seasonal holiday is actually entirely associated with cinema. All the time i try to stare at the maximum number of thriller films, during the october preceding all saints ' eve. And with the sheer number of films i've seen (believe me, it's an abundance), it must be very difficult for me to single out the ones i haven't seen far. A fact that once made me step back and-kick around the horror department of my local video store for one hour, picking out random movies that i didn't encounter with information that sounded interesting, has now been replaced with the way i spent that time watching netflix. This year, i decided to go back as far as possible backwards on a large scale and diversify my leisure time away from this torture-pornographic garbage that has been developed in our time. Don't get me wrong, even though it was tempting to watch saw 17: the bride of the puzzle cousin, i instead decided to visit the work of an old horror legend. This legend is not anyone else, so personally the "king of the trick". The godfather of the film "b", mr. William castle. Thanks to the recent release of the william castle film collection, a 5-disc dvd set featuring eight of the director's best contributions to the deep cinema, everyone now has the privilege of rediscovering to themselves any of the first directors who realized what apprehension and amusement go together while watching a horror movie. With more than fifty films in our review, it's a pity that william castle's full name doesn't pop up as often as hitchcock's middle name or argento's, after discussions about horror genre icons arise. Don't get me wrong, his films haven't turned into celluloid perfection or anything like that. But certain classics, like straigh-jacket, mr. Sardonicus, and others, had a campus flash that most horror fans don't want to miss. Having a knack for functioning in theatrical production, william castle (then the infamous william schloss, before changing his last name to the german translation of the text of these expressions; retainer) moved to hollywood aged 23. After all, since the drug used its irresistible charm to introduce everyone to the great orson welles, he was able to work as an assistant to the darkly famous director. He became at least the first person interested in real estate, which will soon become "the lady from shanghai", one of the recommended films of welles. Watching such filmmakers every day, as welles did, castle felt an irresistible desire to become a director himself. Quietly waiting for his chance, castle earned a degree in film production at columbia pictures, where he did various types of behind-the-scenes work, before finally being hired as a contract director. At that time, directors in the specialty with the studio released a movie every 12-half a month. It is difficult to say which castle received such a promising opportunity and was hired to start publishing a movie for cookies every month. The films generally didn't attract any attention other than all the negative reviews from critics who cast on the whole thing, which didn't throw castle very much of a positive light. His involvement in the film industry will begin as soon as he ventures into an individual role and decides to concentrate on developing horror films. Now, when any film historian has a film distribution, as william castle is learning, the first reason why these drugs will each say: "the king of the trick."You see, castle was so happy to be behind the camera that he really excelled in film production, selling his final drink to the public. Once a movie producer dared to leave the studio and start shooting pictures alone, he was very dependent on firewood in monetary terms, seeing how many of the guys got between the secondary mortgages that castle and his wife took out. Accordingly, he was hired to provide why people would actually be sent to the conservatory and buy air tickets for our feature film. As a result, he came up with ridiculous tricks that caused a lot of noise, so that humanity in the whole neighborhood started talking, which, in turn, led to a big weekend for movies. If "macabre," castle's first sovereign motion picture, was released in 1958, people who bought tickets were given a thousand-dollar insurance policy from lloyd's of london for when they would definitely die of doubt while watching the film. People could schedule a visit to the nurses who were on duty directly in the cinemas. At least castle had arranged for the hearses to be parked outside, in order to add additional noise... The kind of noise around "macabre," a movie supposedly so scary that you can't die from the app, worked wonders for william castle. The cinematography had a colossal accomplishment with the public. Castle's next movie, "apartment on a haunted hill," was advertised as detached in "emergo," an exciting new technique in filmmaking, anywhere the patterns on the monitor would begin to appear in real being. In the scene at the end of the film, the carcass rises from the vat of acid and approaches the predictable of the characters. At this moment, the backbone of the props assigned to the theater will be revealed and soar above the crowd on the cable. Despite the nuance that the average theater regulars used this trick to shoot at targets with milk bubbles, it again proved successful for castle. Emergo went on to produce "percepto" for "so-bad-their great movie", the tingler. The film's incongruous story revolved around a creature that folds at the base of the spine whenever they are scared, however, if they don't scream, the essence destroys them. Indeed, all hell breaks loose, after the heroine of vincent price is able to extract the main thing from such creatures from the back of a person only in order to allow him to escape and plant a fuss in the real world. The film's trick, percepto, was electronic gadgets connected to specific theater seats that sent a shock wave through the person sitting there, giving him an extra serious factor to shout out. Later came the "illusion-o" for the 1960 issue of 13 ghosts. In a motion picture,
boards.copro.pw the chicks could not see the ghosts that visited their newly acquired estate, except that they did not wear a special pair of glasses. Movie after movie, william castle found ridiculous new techniques to deliver, so that users would line up to enjoy his movies. What else seemed overly outrageous to the horror maestro, it also led to a sparkling buzz. His 1961 film distribution "the massacre" contained a "pause for panic" with fifteen minutes left in the motion picture, who offered people a chance to spit on the limitations of the theater of war, if such were very scared, in order to complete the review. Apparently, that one-of-a-kind castle trick came with the access of the 1961 film "mr. Sardonicus." In the film, the titular character has a grotesque grin, forever frozen on our face at the moment when he digs up the dead skeleton of his father, in order to make a profitable purchased receipt. And, with the two endings of the film, filmed during the production era, the audience was asked to conduct a "public survey of punishment" just before the climax of the film, in order to establish the fate of sardonik. They were supposed to give the thumb up when they wanted it to live, or the thumb down if they wanted it to die. It was the art of thriller movies, and visitors were forever sending sardonicus to be punished, which led many to wonder why the zodiac survival ending was never filmed at all. This only adds fuel to the torch, which alternative ending doesn't come on mr. The sardonic winchester from the william castle film album. Makes you think, doesn't it? It would be elementary to look back at the work done by william castle in the likeness of making his films, also in that marketing, and dismiss it as shoddy and shameless self-promotion. Some were perplexed that the creator of the film continued to work out tricks even after the completion of everything, so he created a name for himself. But when you really think about it, the positive rustle that william castle was able to create
boards.copro.pw around his films also in the late fifties, many years before the spread of the internet, is quite an impressive feat, regardless of why he did it. And not all of castle's films were campy and focused around the trick. "Straitjacket," castle's 1964 cinematography of the last few months with joan crawford in the title role, is an unthinkable film and the main one of my interesting films of the 60s. There were few comparatively sweet deaths that existed quite cruelly beyond that time, as well as an infrequent predictable total that perfectly surprises you. Not to mention the fact that it was written by robert bloch, the scribe behind hitchcock's psycho. And in 1961, the time diary named "the killing of castle" almost ten great movie masterpieces of the year. You know what kind of horror movie didn't happen, including, released in its own year? The above-mentioned madman. William castle is also credited as the main producer of the film "rosemary's baby", a classic horror film directed by roman polanski. If you've seen him, you probably remember his weird cameo as the creepy guy standing at the phone booth after mia farrow tries to ring the bell. After a long career that included directing more than 55 films, mr. Castle died of a heart attack-a stroke in the late spring of 1977. Gone, but not forgotten, castle's films remain popular at all times. All major theaters in general in russia offer midnight screenings that pay homage to the work of the late director. Many theaters have yet to get to the food, which is why they installed persepto in mercantile chairs to watch the cult classic "tingler", a favorite of all fans of the castle. With a career almost as interesting as the fictional worlds that he did behind the camera, william castle confirmed why it is sometimes more profitable for a cinematographer to develop not only as an artist, but as a salesman. So, on a peerless halloween, in the situation where you're picking up a decent horror movie to touch the joyous feeling, put aside this recent hollywood remake and pour this title directly onto the dvd for another time. Try building our collection of william castle movies. He hasn't won any oscars or anything like that yet, and his films offer a bit of fun and fun to show, which is cooler than a significant portion of the horror files are currently being uploaded. And i myself would take mr. Castle's work on the saw every day.